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U.K. Theater Review: Royal Shakespeare Company’s ‘Oppenheimer’

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This is the Oppenheimer bio-play to end all Oppenheimer bio-plays. Even if exhaustive ultimately becomes exhausting, Tom Morton-Smith has put together a towering three hours in “Oppenheimer,” folding a vast array of ideas into the figure of J. Robert Oppenheimer, father of the atomic bomb: discovery against destruction, pragmatism or principle, duty over happiness. In... Read more »

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