“Pinter at the Pinter” is not merely completist, it’s meticulously curated. A decade after Harold Pinter’s death, director Jamie Lloyd’s six-month season of the writer’s short plays and sketches looks past chronology to tease out recurring themes. It could be disjointed. Instead, it’s illuminating, shining a light on Pinter’s preoccupations. The first set was political, […]
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